Untitled
This work continues my exploration of the body as a cultural field of pressure—a place where moral categories, religious myths, and the contemporary visual industry converge into a single image. I draw on the tradition of Christian allegory and vanitas, but I translate it into the language of today: sins here become not abstract symbols, but physical states embedded in the flesh. The form of the screen is crucial: it resembles a folding altar and, at the same time, a household object that divides the space. The work requires the viewer to move—it cannot be seen with a single glance. By walking around the screen, one finds oneself within a rhythm of images, experiencing a sequence of states, like a route or a cycle. The sins here are not arranged in a linear plot, but are closed in a circle: they return, repeat, and flow into one another. The characters exist somewhere between icon and comic—in an aesthetic of kitsch, bodily grotesqueness, and vivid conventionality, where temptation and punishment become part of a single visual system. The body in this work is not an object of depiction, but a medium through which desire, shame, control and power are expressed.