Sins: Nature, Technology, and the Posthumanist Body
The series explores human weaknesses as persistent cultural scripts, manifested through the body, desire, and shame. In these works, sin ceases to be a moral category and becomes a way to describe the contemporary condition—constant comparison, internal rupture, the impossibility of intimacy with oneself and others. The technological and post-internet context here serves not as an illustration of the future, but as an environment in which archetypes of desire and identity are transformed: human eros encounters hybrid, altered images, and mythological structures are reimagined through visual disruptions, excess, and the pressures of contemporary culture. The series offers a slow reading and is perceived as a closed circle: sins do not disappear, but return, passing from one form to another, becoming a recurring ritual of human experience.
